Frightened

22 02 2011

It was too late. Stupid dare or not, she had to see this through.

But she stood frozen by the icy air, suffocated by the thick, putrescent stench filling the room. She recoiled, but the sense of horror wrapped itself maliciously around her, seeping into her pores, oozing into her hair, caressing her scalp. There was nothing to do, no help she could give or receive.

She could only watch.

Suddenly, the book was snatched out of her hands. Her friend’s laughing voice intruded into her imagination.

“Are you aware that you’re reading The Exorcist by peeking through your fingers?”

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(This is a response to the 100 words challenge in Velvet Verbosity. The word for the week was “frightened”. This one happens to be a true story. I usually get completely caught up in whatever book I’m reading, provided it’s well written enough, which is why I never read horror. A friend of mine, however, dared me to read William Peter Blatty’s The Exorcist. Suffice it to say that I never watched the movie, or read anything like that again.)


 





On love and persistence

12 01 2011

My 2010 ended with a wonderful reading experience, Sue Monk Kidd’s bestselling book The Secret Life of Bees. In the novel, a 14-year-old girl named Lily Owens tries to make peace with the mother who abandoned her…and whom she accidentally killed. In this lush, glowing, sensuous novel about the hearts of women and their search for a spiritual foundation, a particular line by August, one of the most memorable characters, struck me:

“That’s the only purpose grand enough for a human life. Not just to love — but to persist in love.”

And I thought, Exactly. How absolutely easy it is to come to love someone. How thrilling and how wonderful to open your heart to the adventure that is another person coming in. The delicious rush, the heady excitement, the beautiful sweetness of it all — people love the idea of love. There’s nothing quite like it.

But it’s the day-to-day realities in the “ever after” part that people seldom talk about. When you find out that the prince isn’t all that charming and the princess isn’t quite the fairest in the land. Or when you grow up and discover that your mother isn’t perfect and your father isn’t larger than life. Or when you realize that who you’ve become isn’t quite who you planned to be. In every kind of love there is a certain level of inevitable disillusionment. What happens after that?

That’s when persistence comes in. Every kind of lasting love that I’ve seen isn’t one passionate movie moment after another. It’s a commitment, a series of daily — sometimes difficult — decisions to love and to keep on loving. And to forgive. Forgiveness, possibly, is more important than anything else. I forgive you for forgetting that anniversary. I forgive you for not understanding the reason I got mad. I forgive you for what you said when we fought. I forgive you for being human.

Because really, where would we be without forgiveness?  Without the desperately needed grace that allows us to be imperfect? If love is given only to those who are easy to love for as long as they stay easy to love, we’d all be alone. The writer Anais Nin says:

“Love never dies a natural death. It dies because we don’t know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.”

Persistence is the decision to keep love alive and to replenish the source. It’s the day-to-day effort to keep seeing someone as flawed as we are through the eyes of grace. Near the end of The Secret Life of Bees, this is what Lily Owens realizes about her mother when she learns to love her despite her abandonment:

“Drifting off to sleep, I thought about her. How nobody is perfect. How you just have to close your eyes and breathe out and let the puzzle of the human heart be what it is.”

I think, maybe, that’s how a part of growing up happens for all of us. When we start to let go of the picture-perfect fairy tale of love and start preparing ourselves for the work that it takes. And when we realize that, no matter what, it’s still worth it.

 





Tigana, let my memory of you be like a blade in my soul. ~ GGK

24 09 2010

I’ve been on a Guy Gavriel Kay marathon lately, catching up on his books that I haven’t read yet. Last night, after I finished reading The Sarantine Mosaic duology, I headed over to Bright Weavings to check out what the brilliant people there were talking about. My eyes strayed over to the Tigana forum, and click! My utter and absolute love for Tigana, which I reread for the nth time recently, eclipsed anything I had planned to say about Sarantine. It is by far my favorite book by GGK, and if other fans would disagree, I’d say we are lucky to have more than one masterpiece by this wonderful author to choose from.

Tigana. It has made a mark upon my soul, though it is one of wonder and not loss like Alessan’s. I realized just now how very fortunate I’ve been — the first fantasy books that I ever read were The Lord of the Rings, followed by Tigana. After such brilliant first encounters, how can I not love the genre? Since then, I’ve gone on to explore its different forms, from the Christian allegories of C.S. Lewis and the “psychomyths” of Ursula K. Le Guin to the anthropomorphic adventures of Richard Adams and the dark urban fiction of Neil Gaiman. But I always come back, again and again, to where I began.

Peter S. Beagle once said of The Lord of the Rings that it “bears the mind’s handling”. The same can be said of Tigana. My pleasure in it grows after every rereading, and it is with a strange wistfulness that I turn the last page. Every time, there is always something new to discover: an exhilarating turn of phrase, a perfectly rendered moment where one can pause for a while and drink in the mood, a subtle hint about a character’s motivations that previously went unnoticed. Kay respects his readers and writes with the belief that they are more intelligent and thoughtful than pop culture suggests, and this assumption results in a rich, multi-textured work that not only delights but challenges as well. It not only bears, but invites and rewards the mind’s handling.

Some  GGK fans have gotten together online to discuss actors they would like to cast in screen adaptations of Tigana and the others.  It is with both excitement and apprehension that I wait to see if this will happen. On one hand, Robert Lieberman’s disastrous television adaptation of Le Guin’s Earthsea series is a cautionary tale, but on the other hand, Peter Jackson’s masterful handling of the LOTR has shown us that it can be done. It will be a gift to the world if they do it right, so that another generation of readers can discover the joy and the heartbreak of Tigana.

This isn’t a real review. This is just my undisguised attempt to get people to read books that I would like to talk about with them. So go. Read it. I’ll wait. ;)

The real review, by the way, is here. :)





You’re far away, beside me

19 09 2010

In the silence that followed Devin felt a sadness come over him…. A sense of the terrible spaces that always seem to lie between people. The gulfs that had to be crossed for even a simple touching.

~ From Tigana (Guy Gavriel Kay)

Click here to read my new review of an old favorite book on this new page. :)





Top Ten Hottest Male Fictional Characters

29 06 2010

This list of daydream-worthy characters actually started with an idea that has the potential to land me on failbook.com if I ever carry it out:


But since I haven’t found the perfect picture to represent a composite of all my fictional lovers yet, this will have do for now:

Top Ten Fictional Characters Who Melt Me

10. Buzz Lightyear of Star Command – You might say a cartoon character is out of place on this list, but I’ve loved him forever (this is Buzz Lightyear from the Disney Channel series, not from Toy Story), so I can’t leave him out. And why should I? He’s brave, heroic, and he saves the universe on a daily basis. Plus, he has the best catchphrase ever: To infinity and beyond!!! Beats Superman’s “Up, up, and away,” if you ask me.

9. Westley – He’s a pirate. In a black ninja mask.  That right there is ten different kinds of awesome already, but there’s more. He also has kickass sword fighting skills, a sharp wit, and a superb intellect. Plus he responds to Buttercup’s every whim with “As you wish.” Learn, gentlemen, learn. (The Princess Bride movie adaptation is hilarious, but it’s got nothing on the book. If you haven’t read it yet, you’re missing out on one of the best comedic experiences in fantasy literature.)

8. Hector - He’s just the most all-around decent guy in The Iliad. No womanizing, arrogance, or war-thirst here — he’s just a guy forced to fight a war he didn’t want to defend the country his irresponsible younger brother jeopardized.  But as mighty as he was on the battlefield, he was also incredibly loving to his wife and child. Both strength and tenderness in a man — who could resist that? It also doesn’t hurt that the gorgeous Eric Bana played him in Troy (a.k.a The Beautiful People Go to War, which is less an adaptation of The Iliad and more of an excuse to show as many bare, oiled muscles as possible outside of a wrestling match). I have a weakness for guys with deep, rough voices, and that man has a voice so manly he could probably make a drag queen grow ovaries.

7. Noah Calhoun - He loves nature, reads poetry, writes love letters, plays the guitar, and loves faithfully and forever. The Notebook should probably come with a warning: High Risk of Causing Female Frustration. I hate you, Nicholas Sparks, for making me fall in love with someone who doesn’t exist!

6. King Mongkut – I know he’s not exactly fictional, but I just loved how Chow Yun Fat portrayed him in the film Anna and the King. All that restrained passion and sexual tension between him and Anna was absolutely delicious to watch. Sometimes a glance is more potent than the most poetic avowals of love. And sometimes glances are all that can be shared. King Mongkut kept himself from promising Anna a future that he knew was impossible, no matter how much they both longed for it. That’s integrity even when it’s most difficult, and it separates the men from the boys.

5. Barney Snaith – The town outcast who turns out to be the best friend a girl can have, Barney is my favorite L.M. Montgomery hero. (You can keep your Gilbert Blythe, Anne.) In The Blue Castle, he introduces Valancy to the magic of woods and hills and fields, and she blooms under his care. They go wandering around the gorgeous Canadian outdoors, or they read together in front of the fire with their two cats, or they just sit on the porch watching the twilight in contented silence. This is the kind of life I want to have, and a man like Barney Snaith is the perfect someone to share it with. A girl can dream, right?

4. Captain Von Trapp* – Again, not quite fictional, but there’s something about stern, masterful men that women find fascinating. Still waters run deep, they say, and we just can’t resist wanting to see the warmth and passion beneath that cool, controlled exterior.  So when the proud captain turns to Maria in that moonlit garden and tells her that he loves her “whether or not [he] should,” you just know that he would turn the full force of his nature into loving her. And  that, ladies and gentlemen, marked my entrance to puberty — when I started watching The Sound of Music not only for the songs but for the drama between the rigid Captain Von Trapp and the impetuous Maria.

3. Alessan di Tigana bar Valentin – An exiled prince, a desperate revolutionary, a brilliant strategist, a gifted musician — the central character of G.G. Kay’s fantasy novel Tigana commands attention from both comrades and enemies alike. And can you blame them? He is both poignantly human and larger than life. And no woman, fictional or otherwise, can possibly resist being told that, “You are the harbor of my soul’s journeying.” Excuse me, I have to swoon.

2. Jesse – I have never seen so much chemistry between two leads in a modern love story as there is between Ethan Hawke and Julie Delpy in Before Sunrise and Before Sunset. The way that Jesse looks at Celine — it’s as if he’s trying to figure out how in the world he happened to come across someone so beautiful. Jesse himself is beautiful: witty, articulate, intelligent, spontaneous, sensual. They captivate each other in the most bittersweet, poignant love story I have ever seen on the screen, and they convince us that it’s possible: On the most ordinary day, something unusual might happen and you might end up meeting the love of your life. And when that happens, don’t let go. (Or *spoiler alert* at least get a freaking phone number, for heaven’s sake. Jesse, I would totally have given you mine.)

1. Aragorn – There are so many sides to this Man of the West in J.R.R. Tolkien’s The Lord of the Rings: a scholar, a poet, a healer, a vagabond, a warrior, a king. Also, a lover to Arwen Evenstar, for whom he must win his kingdom back so that he could gain her father’s approval. Elrond played the part of demanding, reluctant potential father-in-law with uncommon relish. Basically, he said to Aragorn, “Sure, you can marry my daughter, but only after you go on a suicidal mission almost forty years from the time you met.” To which Aragorn replied, “Whatever you say, Dad.” So, yeah. I’ll take this scruffy, grimy Ranger over those debonair Prince Charmings any day.

There you have it. A fabulous female friend of mine once quipped, “Honey, if he’s too good to be true, then he probably isn’t.” Well, happy daydreaming anyway. :)

__________________________________________________________

* Mr. Darcy has the same appeal, but Captain Von Trapp can actually play the guitar and sing, so more sexy points for him.

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A wish can be a dangerous thing

22 06 2010

“I know there’s something strange about this well,” I say. “You told me last night that it’s cursed.”

“It is.”

“How?”

“It grants you your wish — can you think of anything more harmful?”

I shake my head. “I don’t get it. That sounds perfect.”

“Does it?”

- Charles de Lint (The Wishing Well)

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torn between hope and longing and fear

15 08 2009

“It’s hard being left behind…. It’s hard to be the one who stays.”

— Audrey Niffenegger (The Time Traveler’s Wife)

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On Longing (Or: My Sentiments Exactly)

6 09 2007

Fatima went back to her tent, and, when daylight came, she went out to do the chores she had done for years. But everything had changed. The boy was no longer at the oasis, and the oasis would never again have the same meaning it had only yesterday. It would no longer be a place with fifty thousand palm trees and three hundred wells, where the pilgrims arrived, relieved at the end of their long journeys. From that day on, the oasis would be an empty place for her.From that day on, it was the desert that would be important…. From that day on, the desert would represent only one thing to her: the hope of his return.

- Paolo Coelho in The Alchemist


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Literary Meme

9 03 2007

I found this on several other blogs already, so I’m gonna hop on the bandwagon. Here goes: Instructions: Look at the list of books below. *Bold the ones you’ve read *Italicize the ones you want to read *Leave the ones that you aren’t interested in alone.

  1. The Da Vinci Code (Dan Brown)
  2. Pride and Prejudice (Jane Austen)
  3. To Kill A Mockingbird (Harper Lee)
  4. Gone With The Wind (Margaret Mitchell)
  5. The Lord of the Rings: Return of the King (Tolkien)
  6. The Lord of the Rings: Fellowship of the Ring (Tolkien)
  7. The Lord of the Rings: Two Towers (Tolkien)
  8. Anne of Green Gables (L.M. Montgomery)
  9. Outlander (Diana Gabaldon)
  10. A Fine Balance (Rohinton Mistry)
  11. Harry Potter and the Goblet of Fire (Rowling)
  12. Angels and Demons (Dan Brown)
  13. Harry Potter and the Order of the Phoenix (Rowling)
  14. A Prayer for Owen Meany (John Irving)
  15. Memoirs of a Geisha (Arthur Golden)
  16. Harry Potter and the Philosopher’s Stone (Rowling)
  17. Fall on Your Knees (Ann-Marie MacDonald)
  18. The Stand (Stephen King)
  19. Harry Potter and the Prisoner of Azkaban (Rowling)
  20. Jane Eyre (Charlotte Bronte)
  21. The Hobbit (Tolkien)
  22. The Catcher in the Rye (J.D. Salinger)
  23. Little Women (Louisa May Alcott)
  24. The Lovely Bones (Alice Sebold)
  25. Life of Pi (Yann Martel)
  26. The Hitchhiker’s Guide to the Galaxy (Douglas Adams)
  27. Wuthering Heights (Emily Bronte)
  28. The Lion, The Witch and the Wardrobe (C. S. Lewis)
  29. East of Eden (John Steinbeck)
  30. Tuesdays with Morrie (Mitch Albom)
  31. Dune (Frank Herbert)
  32. The Notebook (Nicholas Sparks)
  33. Atlas Shrugged (Ayn Rand)
  34. 1984 (Orwell)
  35. The Mists of Avalon (Marion Zimmer Bradley)
  36. The Pillars of the Earth (Ken Follett)
  37. The Power of One (Bryce Courtenay)
  38. I Know This Much is True (Wally Lamb)
  39. The Red Tent (Anita Diamant)
  40. The Alchemist (Paulo Coelho)
  41. The Clan of the Cave Bear (Jean M. Auel)
  42. The Kite Runner (Khaled Hosseini)
  43. Confessions of a Shopaholic (Sophie Kinsella)
  44. The Five People You Meet In Heaven (Mitch Albom)
  45. Bible
  46. Anna Karenina (Tolstoy)
  47. The Count of Monte Cristo (Alexandre Dumas)
  48. Angela’s Ashes (Frank McCourt)
  49. The Grapes of Wrath (John Steinbeck)
  50. She’s Come Undone (Wally Lamb)
  51. The Poisonwood Bible (Barbara Kingsolver)
  52. A Tale of Two Cities (Dickens)
  53. Ender’s Game (Orson Scott Card)
  54. Great Expectations (Dickens)
  55. The Great Gatsby (Fitzgerald)
  56. The Stone Angel (Margaret Laurence)
  57. Harry Potter and the Chamber of Secrets (Rowling)
  58. The Thorn Birds (Colleen McCullough)
  59. The Handmaid’s Tale (Margaret Atwood)
  60. The Time Traveller’s Wife (Audrew Niffenegger)
  61. Crime and Punishment (Fyodor Dostoyevsky)
  62. The Fountainhead (Ayn Rand)
  63. 63. War and Peace (Tolsoy)
  64. Interview With The Vampire (Anne Rice)
  65. Fifth Business (Robertson Davis)
  66. One Hundred Years Of Solitude (Gabriel Garcia Marquez)
  67. The Sisterhood of the Travelling Pants (Ann Brashares)
  68. Catch-22 (Joseph Heller)
  69. Les Miserables (Hugo)
  70. The Little Prince (Antoine de Saint-Exupery)
  71. Bridget Jones’ Diary (Fielding)
  72. Love in the Time of Cholera (Marquez)
  73. Shogun (James Clavell)
  74. The English Patient (Michael Ondaatje)
  75. The Secret Garden (Frances Hodgson Burnett)
  76. The Summer Tree (Guy Gavriel Kay) 7
  77. A Tree Grows in Brooklyn (Betty Smith)
  78. The World According To Garp (John Irving)
  79. The Diviners (Margaret Laurence)
  80. Charlotte’s Web (E.B. White)
  81. Not Wanted On The Voyage (Timothy Findley)
  82. Of Mice And Men (Steinbeck)
  83. Rebecca (Daphne DuMaurier)
  84. Wizard’s First Rule (Terry Goodkind)
  85. Emma (Jane Austen)
  86. Watership Down (Richard Adams)
  87. Brave New World (Aldous Huxley)
  88. The Stone Diaries (Carol Shields)
  89. Blindness (Jose Saramago)
  90. Kane and Abel (Jeffrey Archer)
  91. In The Skin Of A Lion (Ondaatje)
  92. Lord of the Flies (Golding)
  93. The Good Earth (Pearl S. Buck)
  94. The Secret Life of Bees (Sue Monk Kidd)
  95. The Bourne Identity (Robert Ludlum)
  96. The Outsiders (S.E. Hinton)
  97. White Oleander (Janet Fitch)
  98. A Woman of Substance (Barbara Taylor Bradford)
  99. The Celestine Prophecy (James Redfield)
  100. Ulysses (James Joyce)


A lot of books that I wanted to read were not on this list. So many books, so little time. *sigh*

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On moonlight

10 01 2007

We are not conscious of daylight as that which displaces darkness…. We take daylight for granted. But moonlight is another matter. It is inconstant…. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap into innumerable, flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night…. We do not take moonlight for granted. It is like snow, or the dew on a July morning. It does not reveal but changes what it covers. And its low intensity – so much lower than that of daylight, makes us conscious that it is something added to the down, to give it, only for a little time, a singular and marvellous quality that we should admire while we can, for soon it will be gone again.

- Richard Adams in Watership Down


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